BLOGS
Mixing in the Analog Domain
Mixing in the Analog Domain
Rediscovering the Lost Mojo
By Frans de Rond, Engineer at Sound Liaison
When I began m...
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The Audience Factor
Why Live Performances Often Outshine Studio Sessions
By Frans de Rond – Engineer at Sound Liaison
In the controlled e...
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The Art and Evolution of Studio Monitoring
My journey as a sound engineer
By Frans de Rond, engineer Sound Liaison
When I began my career as a recording enginee...
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If it Makes Me Dance, It’s a Keeper
There’s a moment in every recording session where words fall short. Where meters and micr...
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Wes and the Rule of 5: A lesson that still guides me
There are moments in your life as an engineer that stay with you forever.
One such moment for me happened 17 years ag...
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The role of Reverb in Jazz Recording
Shaping Space: The role of Reverb in Jazz Recording, Then and Now
By Frans de Rond – Founder & Recording Engineer...
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Sound Liaison at High End Munich 2025: Notes from the Field
Each year, High End Munich draws together those of us who are deeply invested in the craft of sound. This May (15th-1...
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Firefox & Wetransfer
If you're having trouble downloading a file using WeTransfer in Firefox, here are some common reasons and how to trou...
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Editing a Sound Liaison 'Pure' DSD recording.
This week, I edited a session recorded in DSD format for the first time. It is a recording of Iman Spaargaren on saxo...
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High Resolution Audio
What is High-Resolution Audio?
At Sound Liaison, we are dedicated to delivering the highest quality sound experiences...
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Thousand Shades of Blue Revisited
A Positive Feedback Creative Forum for the Audio Arts special.
"... Carmen Gomes sings with supreme attention to ea...
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Recording in Pure DSD feat. Spaargaren & Bjørnild
A New Experience in Sound Recording: My Journey with Sound Liaison and the Pure DSD Recording Technique
At Sound Li...
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